Pote CompLote is a cabaret format that brings together multidisciplinary women circus artists in a collective act of creation. Through their individual artistic research and performance practices, the artists affirm and share their perspectives on emancipation, visibility, and the social role of women in the contemporary circus landscape.
Guided by the external eye of Las Corpa, this cabaret transforms the performance space into a playground for experimentation, encounter, and expression. Each act reflects a unique artistic voice while contributing to a collective narrative of strength, creativity, and expression.
This edition features:
Originally from Chile, Valentina discovered circus arts at the age of 16. She began her artistic journey through several years of collaboration with the company Hágase Payasito and the cultural center La Juguera, where she was an active member and took part in artistic, educational, and community-oriented projects.
She later moved to Europe to pursue professional circus training, completing one year at the FLIC Circus School before continuing her studies at the ESAC (École Supérieure des Arts du Cirque) in Brussels, where she recently graduated, specializing in hula hoop.
Deeply interested in collective creation processes, Valentina enjoys working in collaborative environments where circus becomes a shared space for dialogue, experimentation, and reflection.
Rocio Belén Reyes Patricio is a circus artist specializing in fixed trapeze. Born in Argentina in 1991, her circus practice has gradually intertwined with physical theatre and acting, shaping a multidisciplinary artistic language.
Driven by a desire to broaden her horizons, she crossed the ocean that separates South America from Europe and continued her professional training in Italy at the Cirko Vértigo Circus School.
Today, twelve years after leaving her homeland, Rocio has collaborated and co-created with numerous European companies. Her passion for circus, teamwork, and collective creation continually inspires her to explore new artistic adventures and collaborative experiences.
Ana Al Bitar is a circus artist and pedagogue from Barcelona who began her journey in the world of circus through aerial disciplines. Specializing in aerial rope, she graduated from ESAC (École Supérieure des Arts du Cirque) in 2026. She has created several solo works, which she has presented at international festivals and events.
Her artistic research focuses on the suspended body, the dialogue between aerial apparatus and space, and the creation of symbolic universes. Through aerial rope, she has developed a personal artistic language that places technique at the service of storytelling and physical dramaturgy.
The Snail's Journey-Aerial Rope and Chair: A tribute to home and to the process of separating from it. A physical journey that explores the fragile balance between carrying and letting go. A poetic universe of symbols and contrasts.
Rachel Monfort is a circus artist specializing in Cyr wheel. Trained in rhythmic gymnastics from an early age, she practiced the discipline for over ten years and became French Champion at the age of 17.
While studying ethnomusicology and dance anthropology at Paris Nanterre University, she expanded her understanding of movement through the study of ritual practices, trance states, and traditional Gnawa music in Morocco. These experiences led her to explore circus as a meeting point between different artistic disciplines.
She continued her training at Le Plus Petit Cirque du Monde and later specialized in Cyr wheel at the National Circus Arts School Shems’y in Morocco. A graduate of ESAC (École Supérieure des Arts du Cirque) in Brussels, Rachel's artistic research focuses on the female body, exploring themes of constraint and freedom, solitude, and transformation through Cyr wheel and other movement practices.
She is also a founding member of the company Le Cirque à Vif, where she contributes to the development of its first creation, Modus Vivendi.